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Sunday, 12 July 2026

A psychological crime-horror short story by J. Sharanya from BSc BTCFS, II year

The army quarters were usually quiet, their lanes lined with trimmed hedges and identical houses. Life there followed a rhythm: children playing in the evening, guards patrolling the gates, colony events on weekends. So, when a new family moved in, everyone noticed.

A man, his wife, and their twin daughters.

Across the street lived Mrs. Sharma. She was among the first to feel thrilled about their arrival. A new family meant fresh energy, new bonds. She baked sweets, carried them over, and knocked on their door with a wide smile.

The wife had opened the door. Pale, reserved, her lips barely curved in return. The girls peeked from behind her, clutching a glass bottle filled with something red.

“They must be shy,” Mrs. Sharma had reassured herself.

She kept trying. Inviting them to colony functions. Sending her children to befriend the twins. But the family remained distant, almost… unbothered.

Something about them was off.

The twins never went to school. Instead, they played endlessly in their courtyard, always with that bottle filled with red liquid. Mrs. Sharma once spotted them pouring some of it on the soil, giggling. She assumed it was just paint.

One afternoon, she found the wife buying vegetables. “Your girls never go to school?” she asked kindly.

The wife froze. “They are homeschooled,” she whispered quickly, then left without even buying a single vegetable. Her eyes darted around, nervous, as if terrified of someone watching.

Mrs. Sharma felt a chill but brushed it aside.

Weeks turned into months. Gradually, she stopped caring.

Until one night.

The colony was shaken awake by guards shouting. A thief had broken into one of the houses. Residents rushed out with sticks and torches, chasing until they cornered the man.

But instead of resisting, the thief begged them. “Call the police! Please… call them!”

People were baffled. A thief asking for the police?

When the officers arrived and tried to arrest him, he blurted out:

“I went into that house… and saw them. Dead. Three of them. Rotting.”

The crowd gasped. The police, skeptical, still forced their way into the family’s house.

The smell hit them first. A thick, rotting stench.

Upstairs, in a locked bedroom, they found three decomposed bodies. A woman and two little girls.

The colony stood in horror. They had seen that woman. They had seen those children. How could they have been dead all along?

The police arrested the thief, charging him with murder. But the autopsy told another story.

The bodies dated back three months.

No strangulation. No forced trauma. No poison in the blood.

But the urine told the truth: extremely high levels of paracetamol metabolites. A silent overdose. Enough to shut down their livers and kill them slowly, invisibly.

The investigation grew darker.

When questioned, Mrs. Sharma insisted she had seen the wife watering plants just that morning. She had seen the twins playing in the courtyard with their red bottle. She even pointed across the street.

But when the police looked, the house was silent. Empty.

Her husband sighed, embarrassed. “My wife isn’t well,” he explained. “She imagines things. Please don’t trouble her further.” He pressed medicine into her hand, guided her gently to bed.

The police left uncertain. Something about his calmness didn’t sit right.

Days later, deeper checks revealed the truth.

Mrs. Sharma wasn’t truly Mrs. Sharma. She had been the maid in that very house months ago. The man she now lived with wasn’t her husband. He was the real husband of the dead woman across the street.

And the maid—Mrs. Sharma—had seen everything.

She had watched, paralyzed, as he crushed tablets and dissolved them into drinks. Watched his wife and daughters consume them, one by one, unaware. She had stood frozen in the kitchen doorway, paralyzed, as the three of them slowly succumbed.

He had silenced her with threats. Dragged her across the street. Forced her into the role of his wife.

Her mind had shattered under the weight of what she had witnessed. She replayed it endlessly. The wife watering plants. The twins laughing with their red-stained bottle. Not ghosts. Not hallucinations. Memories her trauma refused to bury.

When the truth came out, the colony never felt safe again.

The man was dragged away, screaming, his mask ripped off. The maid sat silently on the balcony, whispering to herself, eyes locked on the empty courtyard.

Across the street, the house stood sealed. Yet to her, the twins were still there—giggling, playing with their bottle. And in the fading light, the liquid inside didn’t look like paint anymore.


Sunday, 5 July 2026

Reimagining Ulysses: What If the Protagonist Were a Woman? By Manognya Varkoor, Krithika Sudhal from BSc FNBC II YEAR 

If the protagonist of Ulysses were a woman, the poem would be very different. In the original poem by Alfred Lord Tennyson, Ulysses travels across the world in search of knowledge, new cultures, and exciting adventures. However, during that period, women did not enjoy the same freedom as men because society imposed many restrictions on them.

A woman who left her home to travel would have been criticized for abandoning her family. Her character would have been questioned, and she might have been labelled irresponsible. Unlike Ulysses, she would have had to fight not only the challenges of travel but also the expectations of a patriarchal society.

If she still managed to travel, the poem would focus on both her adventures and the obstacles she overcame. Her experiences would be expressed with greater compassion, resilience, and hope. She would celebrate freedom while encouraging other women to dream beyond the limits set by society.

Although she might have faced severe criticism in her own time, future generations would remember her as a courageous woman who challenged social norms and broke patriarchal barriers. Her journey would become a powerful symbol of determination, equality, and women's empowerment.

Wednesday, 1 July 2026

Weekly Author Feature

Rithvik Singh

Rithvik Singh 

Rithvik Singh is one of the most popular contemporary Indian authors and poets, admired for his heartfelt writing on love, heartbreak, healing, and self-discovery. A graduate in English Literature from Hansraj College, University of Delhi, he began sharing his thoughts and poetry on social media, where his honest and relatable words quickly gained a large following. His writing resonates especially with young readers because it reflects real emotions and encourages self-love, resilience, and personal growth.

Rithvik Singh's writing style is simple, emotional, and deeply inspiring. Instead of using complicated language, he expresses profound feelings through clear and relatable words. His books combine poetry, prose, and personal reflections, making readers feel understood and hopeful. His work reminds people that pain is temporary, healing is possible, and every ending can become a new beginning.

Some of his bestselling books include I Don't Love You Anymore, Thank You for Leaving, Warmth, How to Stop Overthinking Forever, I Cannot Say Goodbye to You, and Did You Ever Love Me? These books have become favourites among readers who are looking for comfort, emotional healing, and motivation. Through his writing, Rithvik Singh continues to inspire countless people to embrace change, let go of the past, and move forward with confidence and hope.

Sources:

Rithvik Singh – Official Website

Penguin Random House India

Saturday, 27 June 2026

From Broken Glass to Marshmallows, a poem penned by Udhari Arundhati from, B. A Final year.

FROM BROKEN GLASS TO MARSHMALLOWS.



An April day, a sudden glance,
Two years away from the mirror's dance.
I dressed up, smiled, and clicked a view,
Seeking a dozen slides or two,
Seeking the spark I once called mine,
Before heartbreak blurred each line.

But the gallery holds a double-edged art:
The worst and best days, tearing apart,
Leaving behind a bittersweet trace—
Broken heart pieces with a beautiful hope in their place.

Yet God remembers His favorite child,
No matter how broken the heart or wild.
Looking back at the old and the new,
The glamorous poses were never quite true;
Though the outside looked fine, a picture-perfect role,
I carried that heavy heartbreak in my soul.

But the pain has softened, the focus has shifted,
The weight of the glamorous burden is lifted.
Life isn't about forcing oneself to look grand,
But embracing the soul that God had planned.

I know I wasn't always trapped in this space—
Even the rainbow envied my colorful grace,
Hair styled with a snap, sleep gentle and deep,
Like a river whose currents have no rush to keep.

The sharp, painful fragments finally yield,
Whispering softly across the field:
"I'm happy that at least it is you."
Now the sharp, broken edges are entirely new,
As the stones and broken glasses of yesterday
Turn into marshmallows along the way.

Saturday, 20 June 2026

"The Footsteps That Never Returned", A poem by Gouravi from BSc ZCFS III YEAR .

The Footsteps That Never Returned

He went to the hospital...

And somehow, he never came back home.
People say, "Be strong." People say, "Time heals."

But they don't know what it feels like to wait for footsteps that never return.

They don't know how a child learns to smile in front of everyone, yet cries only in the silence of empty rooms.

Birthdays become quieter. Festivals feel heavier. Even achievements lose a little of their joy.

Because no matter how old you grow, there is always a part of you that still looks for your father.

The world moves on. Life continues.

But a child who loses a father loses more than a person— they lose their shelter, their guide, their safest place.

Years may pass, and the tears may become less visible, but the emptiness never truly leaves.

Some wounds do not heal; they simply learn to live inside the heart.

And that pain...

that longing...

is something only a fatherless child can truly understand.

Sunday, 14 June 2026

"Last Wish", a poem penned by K. Pranathi, from BSc MSDS, III year.

I was born alone,
And I walk this road alone.
One day, when my journey ends,
I wish to leave alone.

No tears upon my farewell,
No sorrow in my name.
When I am gone,
Let the world remain the same.

What must I do for that?
Fade like I never existed?
Become a passing whisper
Lost within the wind?

Yet before that final day,
I want to live completely free—
To wander like the restless breeze,
To dance across the sea.

To laugh like water splashing,
To chase the open sky,
To carry no regrets at all
When it's my time to die.

And when death stands before me,
Quiet and serene,
What must I do to greet it
With a heart forever clean?

Perhaps the answer is simple—
Neither fame nor company;
To cherish every fleeting moment,
And love my solitude faithfully.

Sunday, 26 April 2026

"Ink, Ideas, and Identity: My Story with Quills". An experience shared by Haseena Ahmed Jabri from,  B.Sc FSCCA, III year.

“Sometimes, the right words don’t just inspire us—they quietly transform who we become.”

The Beginning
It all began on the very first day of my college life, during the orientation conducted by the Department of English and Foreign Languages. Among the many introductions that day, one moment stayed with me—Dr. Jhilam Chattaraj reciting her poem Mirchi and Bhajji from her book Noise Cancellation. In that moment, I didn’t just hear a poem—I felt something awaken within me. I remember thinking, I wish she would become my teacher.

A year later, that wish came true.

A Spark Turns Into Action

When she entered my classroom in my second year, I felt a quiet sense of happiness. A few weeks into her classes, she encouraged me to read more. That very day, I rushed to the library, picked up a book, and began reading with a renewed sense of purpose. Soon after, I gathered the courage to ask her how to start writing. With her guidance, I began journaling—slowly, imperfectly, but consistently.

That was the beginning.

Finding My Place in Quills

With her encouragement, I participated in an essay competition and became a member of the Quills Literary Club. Entering Quills felt like stepping into a space where words had life. I deeply admired the *Arunodaya Student Magazine*, yet I hesitated to write for it for a long time, constantly questioning myself.
For nearly a year, I remained a silent observer—reading, appreciating, and learning. Looking back, that phase taught me patience and gave me the courage to begin.

Stepping Into Growth

Gradually, Quills became more than just a literary space for me. I hosted programs, participated in competitions, and eventually took on responsibilities. Being appointed as the Student Chief Coordinator of the P. N. Panicker Reading Club was a turning point—it pushed me beyond hesitation and into action.

From organizing sessions to interacting with authors and attending the Hyderabad Literary Festival, each experience shaped my perspective. Later, serving as the Student Convener for the Quills 10th anniversary further strengthened my confidence.
Finding My Voice

And then, quietly, I began to write.
In December 2025, I wrote my first poem. Seeing it published and appreciated gave me the courage I had been waiting for. Eventually, I became a contributor to the Arunodaya Student Magazine, marking a moment of true self-belief.

Becoming

Looking back, this has been one of the most memorable journeys of my B.Sc. life.
From a hesitant first-year student to someone who expresses, leads, and creates—I see a transformation not just in my skills, but in my identity. Quills did not change me overnight; it shaped me gradually, helping me find my voice.
Quills was never just a club.

It was where my thoughts found direction, and my identity found expression. 

I wholeheartedly express my sincere gratitude to our HOD, Dr. M. Suchitra ma’am, for her constant support and invaluable guidance throughout my journey. Her presence has not only been that of an academic leader but also a source of steady encouragement and inspiration. As the Chairperson of the Quills Literary Club and P.N. Panicker Reading Club, her dedication to nurturing young minds has left a lasting impact on me.

I also extend my heartfelt thanks to all the faculty members of the Department of English and Foreign Languages. Their encouragement, guidance, and belief in my abilities have played a significant role in shaping my experiences and growth.